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	<title>Comments on: Merging Separations into Composite CMYK plus Spot</title>
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		<item>
		<title>By: cmykplus</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-493437</link>
		<dc:creator>cmykplus</dc:creator>
		<pubDate>Sat, 05 Nov 2011 23:53:42 +0000</pubDate>
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		<description>Thanks its very Helpful</description>
		<content:encoded><![CDATA[<p>Thanks its very Helpful</p>
]]></content:encoded>
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		<title>By: Ed</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-489642</link>
		<dc:creator>Ed</dc:creator>
		<pubDate>Sat, 12 Mar 2011 22:34:46 +0000</pubDate>
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		<description>Thanks, this was helpful.</description>
		<content:encoded><![CDATA[<p>Thanks, this was helpful.</p>
]]></content:encoded>
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		<title>By: David Blatner</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-478447</link>
		<dc:creator>David Blatner</dc:creator>
		<pubDate>Tue, 29 Sep 2009 20:33:53 +0000</pubDate>
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		<description>@robert: Yeah, that question pretty much has nothing to do with this blog post! ;) But that&#039;s okay... I think &lt;a href=&quot;http://indesignsecrets.com/split-up-data-merged-pdf-files-into-smaller-files.php&quot; rel=&quot;nofollow&quot;&gt;the answer to your question is here&lt;/a&gt;.</description>
		<content:encoded><![CDATA[<p>@robert: Yeah, that question pretty much has nothing to do with this blog post! <img src='http://indesignsecrets.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' />  But that&#8217;s okay&#8230; I think <a href="http://indesignsecrets.com/split-up-data-merged-pdf-files-into-smaller-files.php" rel="nofollow">the answer to your question is here</a>.</p>
]]></content:encoded>
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		<title>By: robert gallardo</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-478446</link>
		<dc:creator>robert gallardo</dc:creator>
		<pubDate>Tue, 29 Sep 2009 20:27:19 +0000</pubDate>
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		<description>Hello,

This may not be the exact topic of this post but I have a rookie question. I have merged a dataset with an InDesign template. Now, I want to export the merged document as a PDF file. Is it possible to export the whole document into different PDF documents not only one? For example, I want pages 1 and 2 to be PDF file #1; pages 3 and 4 to be PDF file #2. Is there a way to do this?

Thanks!

Robert</description>
		<content:encoded><![CDATA[<p>Hello,</p>
<p>This may not be the exact topic of this post but I have a rookie question. I have merged a dataset with an InDesign template. Now, I want to export the merged document as a PDF file. Is it possible to export the whole document into different PDF documents not only one? For example, I want pages 1 and 2 to be PDF file #1; pages 3 and 4 to be PDF file #2. Is there a way to do this?</p>
<p>Thanks!</p>
<p>Robert</p>
]]></content:encoded>
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	<item>
		<title>By: Klaus Nordby</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-476498</link>
		<dc:creator>Klaus Nordby</dc:creator>
		<pubDate>Tue, 07 Jul 2009 19:32:51 +0000</pubDate>
		<guid isPermaLink="false">http://indesignsecrets.com/?p=3145#comment-476498</guid>
		<description>David, what a marvellously geeky posting -- thanks for oiling my geek-gears!  

But . . .

@David: &quot;If it’s CMYK or RGB (or grayscale), it gets halftoned, which leaves you with “blurry/fuzzy” halftoned edges.&quot;

That&#039;s not exactly spot-on (pun intended or not? You decide!). It&#039;s only if a layer or channel in the CMYK file (I&#039;ll concentrate on this color mode now) is continous-tone, i.e. 8-bit or 16-bit/channel that the RIP will halftone the data. But you can have bitmap-like data in a CMYK file and get non-halftoned line-output in the RIP . . . if the channel or layer&#039;s data is 1-bit-like, i.e., only white-and-black, with no other values than 0 and 255. That&#039;s how the line art in most comic books are now handled: it&#039;s a standard CMYK file of around 400-600 ppi with normal color layers -- and the K channel is 1-bit-only-like. That will halftone the CMY data but not the K data. (Now 400-600 ppi is too low in my judgment for really crisp line art, but that&#039;s the compromise the comics publishers settled on years ago, when we had punier PCs.)</description>
		<content:encoded><![CDATA[<p>David, what a marvellously geeky posting &#8212; thanks for oiling my geek-gears!  </p>
<p>But . . .</p>
<p>@David: &#8220;If it’s CMYK or RGB (or grayscale), it gets halftoned, which leaves you with “blurry/fuzzy” halftoned edges.&#8221;</p>
<p>That&#8217;s not exactly spot-on (pun intended or not? You decide!). It&#8217;s only if a layer or channel in the CMYK file (I&#8217;ll concentrate on this color mode now) is continous-tone, i.e. 8-bit or 16-bit/channel that the RIP will halftone the data. But you can have bitmap-like data in a CMYK file and get non-halftoned line-output in the RIP . . . if the channel or layer&#8217;s data is 1-bit-like, i.e., only white-and-black, with no other values than 0 and 255. That&#8217;s how the line art in most comic books are now handled: it&#8217;s a standard CMYK file of around 400-600 ppi with normal color layers &#8212; and the K channel is 1-bit-only-like. That will halftone the CMY data but not the K data. (Now 400-600 ppi is too low in my judgment for really crisp line art, but that&#8217;s the compromise the comics publishers settled on years ago, when we had punier PCs.)</p>
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		<title>By: Eugene</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-476490</link>
		<dc:creator>Eugene</dc:creator>
		<pubDate>Tue, 07 Jul 2009 13:25:36 +0000</pubDate>
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		<description>You can also place them as grayscale TIFFs in InDesign (which I was doing in the past). Not sure which way is the better.

Illustrator way is better - but too time consuming to do properly as embeded pdfs and shading each item with the exact shade it already has in cmyk and overlay them. 

I&#039;m sure someone could write a script to do this???</description>
		<content:encoded><![CDATA[<p>You can also place them as grayscale TIFFs in InDesign (which I was doing in the past). Not sure which way is the better.</p>
<p>Illustrator way is better &#8211; but too time consuming to do properly as embeded pdfs and shading each item with the exact shade it already has in cmyk and overlay them. </p>
<p>I&#8217;m sure someone could write a script to do this???</p>
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	<item>
		<title>By: Roland</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-476470</link>
		<dc:creator>Roland</dc:creator>
		<pubDate>Mon, 06 Jul 2009 06:55:14 +0000</pubDate>
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		<description>You could export the PDF &#039;pages&#039; to greyscale TIFF files, place them in Illustrator (simply center them on the page), drag the necessary colours from the swatches panel onto each of the separations&#039; images and set the blend mode of them all to multiply. Voila, you&#039;ve just checked your file.</description>
		<content:encoded><![CDATA[<p>You could export the PDF &#8216;pages&#8217; to greyscale TIFF files, place them in Illustrator (simply center them on the page), drag the necessary colours from the swatches panel onto each of the separations&#8217; images and set the blend mode of them all to multiply. Voila, you&#8217;ve just checked your file.</p>
]]></content:encoded>
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	<item>
		<title>By: Steve Werner</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-476450</link>
		<dc:creator>Steve Werner</dc:creator>
		<pubDate>Fri, 03 Jul 2009 20:54:21 +0000</pubDate>
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		<description>&gt;Now i know how to do all this theorically, but i need to find the best (and cheapest) printer, cause if ever it isn’t aligned, then everything vibrates and send the book directly to the trash !

Finding the best and the cheapest printer at the same time is surely a contradiction!</description>
		<content:encoded><![CDATA[<p>&gt;Now i know how to do all this theorically, but i need to find the best (and cheapest) printer, cause if ever it isn’t aligned, then everything vibrates and send the book directly to the trash !</p>
<p>Finding the best and the cheapest printer at the same time is surely a contradiction!</p>
]]></content:encoded>
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	<item>
		<title>By: fr</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-476441</link>
		<dc:creator>fr</dc:creator>
		<pubDate>Fri, 03 Jul 2009 14:45:23 +0000</pubDate>
		<guid isPermaLink="false">http://indesignsecrets.com/?p=3145#comment-476441</guid>
		<description>Hi David !

I find it excellent that you post this here today since i might get really concerned by the issue soon !

We&#039;ll be working on a sustainable development book where &quot;positive&quot; figures are green, and &quot;negative&quot; figures are red. The rest of the text is set in black.

This is the author&#039;s idea. The publisher first thought about duotone : half printing costs, and we already did that... for a 2 colors book (black and brown)...

My answer would be : green + red = brown if everything is perfectly aligned. And that would look nice !

inD would only have 2 spot colors, and a mixed ink, and i would pre-process the watercolor illustration in photoshop to achieve my goal.

Now i know how to do all this theorically, but i need to find the best (and cheapest) printer, cause if ever it isn&#039;t aligned, then everything vibrates and send the book directly to the trash !

files to try here :

http://fr32c.free.fr/Print/TestCouleursDD-0307.zip
Where there&#039;s inx, pdf, psd &quot;work file&quot; and another psd made with your technique to get frightened :
http://fr32c.free.fr/Print/TestCouleursDDCS3Repere.psd.zip</description>
		<content:encoded><![CDATA[<p>Hi David !</p>
<p>I find it excellent that you post this here today since i might get really concerned by the issue soon !</p>
<p>We&#8217;ll be working on a sustainable development book where &#8220;positive&#8221; figures are green, and &#8220;negative&#8221; figures are red. The rest of the text is set in black.</p>
<p>This is the author&#8217;s idea. The publisher first thought about duotone : half printing costs, and we already did that&#8230; for a 2 colors book (black and brown)&#8230;</p>
<p>My answer would be : green + red = brown if everything is perfectly aligned. And that would look nice !</p>
<p>inD would only have 2 spot colors, and a mixed ink, and i would pre-process the watercolor illustration in photoshop to achieve my goal.</p>
<p>Now i know how to do all this theorically, but i need to find the best (and cheapest) printer, cause if ever it isn&#8217;t aligned, then everything vibrates and send the book directly to the trash !</p>
<p>files to try here :</p>
<p><a href="http://fr32c.free.fr/Print/TestCouleursDD-0307.zip" rel="nofollow">http://fr32c.free.fr/Print/TestCouleursDD-0307.zip</a><br />
Where there&#8217;s inx, pdf, psd &#8220;work file&#8221; and another psd made with your technique to get frightened :<br />
<a href="http://fr32c.free.fr/Print/TestCouleursDDCS3Repere.psd.zip" rel="nofollow">http://fr32c.free.fr/Print/TestCouleursDDCS3Repere.psd.zip</a></p>
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	<item>
		<title>By: Eugene</title>
		<link>http://indesignsecrets.com/merging-separations-into-composite-cmyk-plus-spot.php/comment-page-1#comment-476440</link>
		<dc:creator>Eugene</dc:creator>
		<pubDate>Fri, 03 Jul 2009 14:33:46 +0000</pubDate>
		<guid isPermaLink="false">http://indesignsecrets.com/?p=3145#comment-476440</guid>
		<description>Good info there David - perhaps you should add that to the Post, for those that don&#039;t read the comments.

@David: I took a document I made in InDesign, made a PDF of Separations. 

I then opened it in Illustrator, applied the correct percentage of CMYK to each sep. And then blended them together.

It worked out ok. And I saved it as a PDF. 

It was very time consuming. And if it&#039;s just for proofing then your method is far superior.

If only you could colour grayscale PDFs in InDesign?</description>
		<content:encoded><![CDATA[<p>Good info there David &#8211; perhaps you should add that to the Post, for those that don&#8217;t read the comments.</p>
<p>@David: I took a document I made in InDesign, made a PDF of Separations. </p>
<p>I then opened it in Illustrator, applied the correct percentage of CMYK to each sep. And then blended them together.</p>
<p>It worked out ok. And I saved it as a PDF. </p>
<p>It was very time consuming. And if it&#8217;s just for proofing then your method is far superior.</p>
<p>If only you could colour grayscale PDFs in InDesign?</p>
]]></content:encoded>
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