Naming and Renaming Pantone Colors
You’re using Pantone 7687, but you want to call it “Dark Blue.” Or perhaps you want to call it 7687_Pantone so that it’s easier to see in a long list of colors. Whatever the case, InDesign doesn’t let you change Pantone spot color names because they’re from a swatch library.
You can, however, create your own spot color swatches and name them whatever you want… but you have to be careful because correct naming is crucial for mapping spot colors in imported images to the proper plate. For example, if you make a spot color in the Swatches panel called “PMS286” and then import an Illustrator image that uses “Pantone 286 C” then InDesign thinks you have two different spot colors.
Fortunately, you can get around that by using ink aliasing! I wrote about aliasing in this article. But you can stretch the idea a bit in order to have your cake and eat it, too!
Create two spot colors: one from the swatch libraries and one named anything you want. They don’t really even need to look the same. Then use the Ink Alias feature in the Ink Manager dialog box to alias your custom-named spot to the original. You can use your “Dark Blue” color all you want, and import art that uses the “Pantone 7687 C” all you want, and when you print or make a PDF, the colors will all come out on the same plate!
Bonus tip: A lot of people are frustrated by the order in which colors appear in the Swatches panel (in the order you created them). There’s a great solution for this… Just drag the color swatches into any order you want! True, it would be awesome if InDesign allowed us to automatically alphabetize them, or put them into groups (folders), but I’m not holding my breath for that.
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Why not change the color type to RGB? As long as it is still a spot color, it will separate properly.
If the spot color can’t be changed at all, it is probably a color linked to or imported from an Illustrator or Photoshop spot color–then the aliasing would be the best bet.
Naming the spot color “Dark Blue” might cause confusion at the printer’s prepress dept. I would opt for something link “Dark Blue_Pantone 7687” or “Dark Blue_PMS 7687”.
@IDEAS: Good to see you here Dave, but I think you missed the point; setting this up with ink aliasing avoids the problem entirely. You can use both naming, the imported files work fine, and the printer never knows the difference (they just see the “proper” naming). If you just change the color mode and then the name, you lose both benefits.
Being blunt, I do miss the point quite often…
@Dave: LOL! You’re clearly one of those guys who is both very sharp and blunt at the same time. :)
You can avoid trying to blend your own shades, which can be a hard or tedious process to get right. For example, InDesign contains a swatch library for Pantone spot colours and a different library for Pantone process colors. These libraries are really helpful if you are dealing with either color set.
Is it in any way possible to have this follow a .ase-file?
I’m trying to make libraries for a company profile and use the same company name of a color across all (i.e CompanyRed_ColormodelXXX). I want to make it easy for every producer to use the right named color even if they need to use PMS, CMYK, RGB, NCS and so on. Any ideas?
amazing trick!