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Publish Online Project of the Month: Kia Sportage

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This is the second post in the Publish Online Project of the Month series. Be sure to also check out the first post: Irish Landscapes and the January 2016 issue of InDesign Magazine.

This time, let’s take a look at some automobile marketing from Kia, promoting their Sportage model.

This 29-page document functions as a digital brochure, with a heavy emphasis on photos and a very sparse amount of text.

The opening page features just a single full-page image of the Sportage, with a rapidly pulsing button inviting you to click onward.

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The next page features 5 buttons that slide and fade in from all sides. When clicked, each button opens a pop-up frame containing a close-up photo (with animated caption) of some detail of the car.

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The third page gives you links to three YouTube videos that play in a new browser tab in fullscreen mode. The buttons also pulse to get your eye, like the arrow on the first page.

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Pages 4-29 form the bulk of the brochure with a gallery of images showing the Sportage in various colors, angles, and locations.

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What struck me about this was not that the gallery composed almost the whole document, but that all the pages in it were text-free. No ad copy in sight. Viewers are left to form their impression of the car purely by its looks. I’m guessing this is common in car brochures, both printed and digital.

After the gallery, the closing page leaves you with contact information, and a link to the Kia website.

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When you view the Sportage brochure at Adobe.com, the available thumbnail navigation at the bottom of the page is especially fitting. It gives you quick (and key for this project) image-based navigation throughout the document. Viewers can jump right to the videos, or the index page of the gallery (which you could also think of as a purely visual section-level Table of Contents). If you don’t see the page thumbnails, click the grid button at the bottom of the viewing area.

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Overall, the Sportage brochure is a good example of a digital document enhanced by a little bit of animation and interactivity, which are not all that complicated to create in InDesign.

If you want to know more, click here to check out Adobe’s tutorial on getting started with Publish Online.

Submit Your Projects!

We’re on the hunt for interesting Publish Online projects we can spotlight in this new monthly feature. If you’ve created one for yourself, your company, or your client, we’d love to see it! Please email [email protected] with the URL and a few details about the publication, and include “Publish Online Project” in the Subject line. We can’t promise anything, but we will personally respond to every email submittal.

Editor in Chief of CreativePro. Instructor at LinkedIn Learning with courses on InDesign, Illustrator, Photoshop, GIMP, Inkscape, and Affinity Publisher. Co-author of The Photoshop Visual Quickstart Guide with Nigel French.
  • Beautiful, most certainly. But all those marvelous pictures at exotic locales and in unique lighting don’t come cheap, much less the videos. I shudder to think what they cost.

    The old expression “words are cheap” has a double meaning. It can mean mere words in comparison to deeds. But it can also mean that conveying ideas with pictures can cost far more than doing so with words. The old expression “a picture is worth a thousand words” may end up meaning that picture costs more than a thousand words. Add to that the fact that it’s much harder to get a picture or a video right than a bit of text. Even ordinary people are used to the expensive standards of movies and network television. It’s hard to play that game if you don’t have the money. What you do ends up looking like an ad for Crazy Al’s Used Cars.

    I’m not down on that KIA ad. I’m just pointing out that, while creating it with Adobe tools isn’t that hard, creating the raw materials to make it cost quite a bit.

    Check out my most recent books and you’ll find that I’m using a workaround, creating covers and chapter introductory photographs from inexpensive stock photos. I’m lucky. The books are about when I worked in a children’s hospital and there are lots of pictures of cute kids in a hospital setting pretending to be sick. But I were writing on a different topic, I tell myself, what would I do to make it more visual? I draw a blank.

    I’m hardly alone. Even large publishers from authors who always have bestsellers tend to use little, if any, images, not even line art sketches. I have a sense that a lot of print and ebooks could be better if they were more visual, but I don’t see it happening. People expect books to be all text, so all text they remain. People expect car ads to be visual, glitzy and expensively done and they are, even for people like me who’d rather the car ads gave more technical specs.

    And there we are stuck. Books that are sea of text and ads that appeal most to two-year-olds. It does seem there should be ways to make books more varied without silliness like making the text dance around.

    I’m actually finding a use for Publish Online to offer previews or samples of my books without the cost of printing and shipping them. But I’d love to hear more ideas, including how ways to tweak that dull text into something that’ll make the sample more than just a slice of the book.

    In short, it’s easy to make a KIA Sportage look exciting. I’d like to find a way to at least make a discussion of the contents of a book seem appealing. If I can’t say, “Zero to sixty in six seconds,” what can I say?

    • Eugene Tyson says:

      Don’t forget radio adverts! No images, no written words! Just someone talking/singing/jingling about the product! It’s mad I tells ya!

  • Susan says:

    This is one area I’ve never played around with in Indd. Can you do similar in CS6 by creating a doc with Digital Publishing intent? Can you recommend a good tutorial for that?

    Thanks!

  • JAYKAY144 says:

    Shot in Chicago! At least in the beginning, crossing over the Chicago River bridges and the famed circular towers in the background. Perhaps a glimpse of the SunTimes building.

    This new monthly feature has captured my attention. I know I will find a project to apply it to. I think a garden website I created might be a good subject. I like the ability to copy a link from the PUBLISH ONLINE server and paste it into a webpage.

    Cheers from Sydney AU

  • JAYKAY144 says:

    My comment above is about the middle video (at left) on page 3 of 29.

    Also I loved the rear tail light focus elements. To celebrate the design work of auto tail light designers, I created a photo group of FLICKR named AR2L. Some of the 500 photogs to date have really zeroed in on the subject, others just take whole car images. https://www.flickr.com/groups/2657102@N21/

    PUBLISH ONLINE would make a great venue for showcasing the tail light images I have shot. I intend to have one uploaded in 2016!

  • Emma Oliver says:

    The link to the Publish Online is dead :(

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