Set a Swatch to Overprint
When you fill an object or text with the default [Black] swatch at 100% opacity, it overprints any color behind it. Objects using any other swatch or any other percentage of [Black] automatically knock out (create a hole in) background colors when the file is output to color separations for printing.
To force objects that would normally knock out to overprint, you have to select the object and use the checkboxes in the Attributes panel (Window > Attributes):
That’s how I forced the second green circle below to overprint the 10% magenta background — I turned on the Overprint Fill checkbox:
As seen with View > Overprint Preview enabled
Magenta plate only, in Separations Preview
(from Window > Output menu)
If this were the only instance of overprinting that I wanted, it’d be simple. But what if I wanted everything using that green color to overprint, wherever it’s used in my layout? There’s no Overprint checkbox in Swatch options that I can enable.
At first glance, the only solution is to manually select every instance and use the Attributes panel to turn on overprinting. At second glance, remember there are Overprint checkboxes elsewhere in InDesign. You can use them to to your advantage.
When you specify a fill or stroke color within a Paragraph, Character, Table, Cell or Object style; you can specify overprinting instructions at the same time:
Applying that style to a selection automatically sets its fill/stroke to overprint, without having to open the Attributes panel. You can even create a Character style that does nothing other than set the text selection’s fill/stroke to overprint, without changing the color:
Thus if you’re disciplined about things, and always use a style to specify color (at least the overprinting one) rather than the Swatches panel, you can be assured your color will always overprint, where ever it’s used.
What if you have a completed layout, one where you didn’t use the above styles technique? Or what if you already have some styles applied to elements using the color, and don’t want to change their formatting by applying your “overprinting styles”? Find/Change (in the Edit menu) can help.
For colored text, go to the Text tab and leave the Find/Change fields blank. Click the More Options button to reveal the Find/Change Format area. In Find Format, select Character Color and choose the fill color you need to overprint:
Then in Change Format, turn on the Overprint checkbox in the same Character Color section:
Click OK to return to the main Find/Change dialog box. The format area should look like this:
Run the Find/Change — with the Change All button, or via the Change/Find button if only some of the instances should overprint — and zip zap, text filled with that color will now overprint any elements beneath it.
For InDesign lines and frames that are filled or stroked with the color, you’ll need to use the Object panel in Find/Change, found only in CS3. Go there, and follow the same instructions as above … specify the color in Find Format, and turn on Overprint in Change Format:
You may need to run this twice, once for elements filled with the color, and again for objects stroked with the color.
A Couple Tips
If, while you’re constructing the layout, you know that some instances of a given swatch should overprint, and others should behave normally (knock out), make a copy of the swatch. Add “Overprint” to the name of the copy, and use that swatch when you apply it to something that should overprint, or in the style you create for overprinting elements. And if you need to do a Find/Change to turn on overprinting for objects colored from the Swatches panel, you can specify the Overprint version of the color:
After running the Find/Change, elements colored with the normal version of the swatch will still knock out.
(Note that if you use the dupe swatches trick with a spot color swatch, you have to use the Ink Manager to alias the overprint version to the normal version before you output separations or create a press-ready file. Otherwise you’ll get two spot color plates of the same ink.)
Finally, remember that you can turn off the InDesign Preferences setting that makes 100% [Black] always overprint, if you want:
It’s probably not a good idea, though, since it means that any black text (even 6 pt. “the fine print” copy) knocks out of the background. You might not mind, but the pressmen trying to perfectly register the job on press will!
Instead, create a new swatch that’s colored 100% Black and name it something like “My Black” or “Knockout Black.” Since it’s not the official [Black] color, the preference setting doesn’t apply, and it will always knockout of the background color. Use that color for large headlines or fills of black in your design that overlap other colored elements. (Or create a Rich Black, like 40C 20M 20Y 100K, which often looks much better than plain 100K when used in large areas.)